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April Mary Lynn White

Archives: Portfolio Pages

Art projects.

Fogo Series

Watercolour studies of two friends exploring Fogo Island

Bring to Light, installation shots

Aug 23 – Sep 6 2013 Exhibition: Bring to Light, installation shots This series involves the burning away of shadow until all that remains are vacant forms left behind through the repetitive scarring process utilized in my printmaking. These shapes speak to the obsession that is bred by the repetitive nature until they are reduced… Read More

Bring to Light, individual works

This artwork was created as part of the series Bring to Light. In this series I establish a dark field of colour, then burn away the centre, resulting in a vacant circle of light. I look at the process as creating a memory, then burning it away. In these images I have added collected flowers… Read More

As close as I will get to moose hunting

While on a walk in Conception Bay South, Newfoundland, Canada I found these cut up moose bones. I painted the cuts and tears on the bones with pink nail polish. This is as close as I will get to moose hunting.

Blind Contour Faces

Blind Contours of friends Blind contour etchings/drypoints/lithographs of familiar faces exploring materiality and memory.

Assemble

This work is the result of a performance at Eastern Edge Gallery, during a “town hall” session where members of the community showed support for fellow arts workers in response to recent cuts by the provincial government. It describes an assembly line, where various individuals in the arts community work in progression to create art… Read More

Wanderlust (Flower Etchings)

While traveling, I collect flowers and flower petals as mementos. Etching them afterwards helps to preserve the memories, yet through the process, also emphasizes the fading away of memory.

Our Memories Will be Calcivorous

As part of the Art By Instruction exhibition at Eastern Edge Gallery, I followed instructions sent from fellow artist Jonathan S. Green to eat a poutine off of a lithographic limestone and etch and print the grease stain left behind. Original instructions by Jonathan Green